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Gerry Marks Tatham

Gerry Marks Tatham was born and raised in Milwaukee, Wisconsin. She has taught as an adjunct professor of English for several universities in the Tennessee-Kentucky area. Since retiring with her husband Lew to Edgewater, Florida, she has published poetry and short fiction and has become a member of National League of American Pen Women. Two of her poems, including "Epitaph," have been published by The Pen Woman Magazine on "The Poet's Page," and Two Friends have included her poetry and short fiction in three of their anthologies. At present, she is at work on a murder mystery in the Malice Domestic category.


An original work solely owned by Gerry Marks Tatham.

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Two Friends Note: Gerry’s humor knows no bounds. Enjoy along with us.

Family Album - A bit of familial humor Posterity, Rearranging in time-lapse photography, Relations, all ages in various stages of bud and of bloom on the family tree Brags of brave men, and bold And women, I’m told, Renown for good breeding and piety. Our Mayflower ancestor, son of a Lord Lauded as Pilgrim though Shanghaied aboard, Of Captains Courageous and one whom we quip Went down to the sea in receivership Of Soldier-of-Fortune, of main stream and byway Men of the sea – and men of the highway. Excepting the fruits and a couple of nuts Our coat-of-arms, bearing a large G for Guts, Bears tribute despite the occasional dunce, None ever peed into the wind more than once.


Pen Ease

A prolific young pen woman, Gwennie,
Published poem one hundred and twennie
Was her non cents with rhymes
The ess cents of crimes
Or a thousand one thoughts per one pennie?




On My Terms

Abundant in profundity
The building blocks of poetry
As plain as plane geometry
Oft bandied most pedantically
Form writer's blocks semantically

Ironically,
At least, to me
Personified to some degree
They hang a shroud on clarity

For instance, with synecdoche
My hand stands for the rest of me
Why not my palm my family tree?

Apostrophe:
All hail to thee!
Addressed at best religiously
Abbreviates so recklessly

Why lose the muse
Unseat the beat
By writing with iambic feet;
And why, beneath a darkling sky,
Should verse in ptero dacthyls fly?

Playing games of that complexion
Smacks of joi de vivisection.




Once "Upun" an Epitaph 

Plant her in some poet's corner 
Far removed from Edgar Guest 
No sentimental rhymes expressed 
Monument need not adorn her 
Chiseled stone and family crest 
Neighbors here are not impressed 
Spare her, please, the solemn mourner 
Let this simple plaque attest 
Her ashes lie in well-urned rest.




Metamorphosis

An answer to the idiotic theory that a hundred monkeys at a 
hundred typewriters could  reproduce the works of 
Shakespeare   
	A hundred hunt n pecker nerds
	Were chosen to compute
	Will Shakespeare's sonnet sequences
	And tragedies, to boot.

	They wrote dramatic irony
	These hundred human flunkies
	For when they aped Will's comedies
	They all turned into monkeys.




Ghost of Honor

	Pop always said he wanted a brass-band farewell with a beer chaser, but the good citizens of Caddo 
Gap had more traditional tastes in their entertainment. The Reverend Smith, as unimaginative as his name, 
caved in to congregational demand.
	Rebella West gushed the official verdict: "Don't he look natural?"
	Natural, I supposed, was as apt a tribute as any – Pop would just naturally sleep through any 
sermon. This time, though, he wouldn't be surfacing at regular intervals to mutter, "That's a good place to 
stop."
	My sister's expression read, "That wax dummy? Balderdash! Pop wouldn't be caught dead in 
church!"
	And she was right. The shell was there, but The Presence wasn't having any. Nobody pronounced 
Pop's condition "dead," of course. Like "sex," the word didn't translate into Fundamentalese We had to go 
along with "passed away.”
	My brother picked up on that one. "Away? Where? "Where did he go?"
	"Where'd he go?" David's words echoed. "Not anywhere around this company," I could have told 
him, tuning my mind into other distractions. I don't do grief —  would as soon wet my pants as my cheeks 
in public — so concentrated on the huge purpleness of Triva Horn for a while. Then I contemplated the 
missing tassel on the altar cloth, long since gone-to-Jesus. But the over-head lights kept blinking me back 
to the main event, the Reverend Smith's elevation of Pop in the direction of sainthood.
	It's not that I had any quarrel with the mourners, professional and otherwise. They were there 
	willingly. Reverently. Even the soloist wasn't charging anything for her performance, and she was worth 
	it, too. I would happily have tolerated all present in their communion with The Father if they'd only 
	indulge me in a one-on-one with my own. But I was a captive audience in their territory —  a stranger. So 
	was Pop, judging by the Reverend's assessment of his character and sentiments. Smith's eulogy was one 
	of those one-size-fits-all departures from ... well, departures.
	"Hardly the Rev's fault," I reminded myself. "How could he know? Pop didn't exactly haunt the 
holy precincts."
	Not before today, he hadn't! The lights kept blinking (ship-to-shore code?), forcing my eyes 
heavenward in the approved position. No, the lighting wasn't fluorescent. And surely the architects would 
have drawn the line at neon.
	I never did figure out who was calling the ritual signals, either. No sooner would I arrange my butt 
center-cushion on the pew when one holy cheer-leader or another would hallelujah a padding shift, 
dumping me bare-board-between. It was like fighting a restless sleeping partner for the blanket (or in this 
case, the mattress).
	For an official moment of silence, I was permitted to drift off into daydream, only to be bellowed 
back from the pulpit and subsequently risen like something at Easter by a gorgon on my religious right 
armed with an open hymn book. Joining the heavenly chorus with all the enthusiasm in my half-octave 
range, I gave of my talents to the Lord, counting on His divine forgiveness. Halfway collapsed after verse 
two thousand of Amazing Grace, I was guided to pew-basement level, landing on a kneeling apparatus 
somebody salvaged from the Spanish Inquisition. Obediently, we mumbled the appropriate pledge to lead 
"godly, righteous and sober lives," even as we licked our lips in anticipation of an alcoholic hereafter. 
After all that action, the sermon was downright restful. The first half-hour of it, anyway. Fifteen minutes 
worth of cliches later, I found myself envying Pop.
	"Why hadn't we simply put up a rent-a-tent and done our own ceremony?" I wondered. "We could 
have taken turns reading The Gospel According to Marks in its original manuscript. I would have led off 
with my own beginning, and Pop's seafaring version of it:

				New Ship Arrives in Port
	The latest addition to the Marks Line, a daughter, arrived ballast and bilge-free, and is 
	being fitted for sails by the distaff crew. Guided into port by Medical  Officer MacDonald, 
	she will remain in dry-dock until proven sea-worthy. Once launched, she will take her place 
	amongst the tankers, tugs and two-masters already in service.

	I suppose I'd have to leave out Pop's concluding sentence with its prediction that I was likely to "follow 
precedent and become a tramp," but the rest of the recipe was tasteful enough, given just that dash of the Old 
Salt to give it flavor.
	Mother could have followed with the romantic part of their story, published some years ago in 
The Milwaukee Journal's Green Sheet. "They met at noon, he proposed at two, they were married at four," ran the 
headline. Their get-together at the train station in Helena, Montana was the culmination of a year's 
correspondence, initiated by Pop's sister who, after meeting Mom remarked, "You're crazy enough to belong 
to my family." Handing her a picture of her three brothers, Aunt Fern challenged Mother to "Take your pick."
	"I'll take the one in the middle," Mom decided, and wrote him a letter, photograph enclosed.
	"It wouldn't have taken all that long to get around to the ceremony," Pop reminded me, "but we wanted 
the postmaster for Best Man, and he couldn't get off till four.
	Four ... I looked at my watch. Four o'clock hello; four o'clock good-bye.
	"Fore-taste of heaven. "Called for. . .	 Hungered for . . .  Not lost, nor gone before," Reverend Smith 
intoned.
	The lights blinked.
	“A devout man. A pious man. A true Christian . . .”
	The lights positively stuttered!
	Somebody giggled. I tried to turn it into a cough.
	Judy begged a Kleenex, covering her quivering lips permitting the shaking of her shoulders to register 
as grief.
	This time, it was more of a wink than a blink. A blessing, perhaps?
	I said, "Good-bye, Pop," as they bore his flag-draped casket up the aisle, and thanked him for 
preserving my dignity. What matter if I were crazy, or seeing ghosts, or ducking reality? He was with me, 
comforting me. Making me laugh to the very end.
	As we walked out of the chapel, Judy grabbed my arm for support, then grinned up at me through her 
tears. "Did you see what Pop did?" she asked. "Wasn't that just like him?"

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Updated on September 22, 2008

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